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Virtual Production Pipelines vs. Traditional Animation Pipelines

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dc.contributor.author Jadhav, Bharat
dc.date.accessioned 2026-01-23T05:38:14Z
dc.date.available 2026-01-23T05:38:14Z
dc.date.issued 2025-05
dc.identifier.citation Virtual Production Pipelines vs. Traditional Animation Pipelines en_US
dc.identifier.issn 2581-9879
dc.identifier.issn 0076-2571
dc.identifier.uri http://localhost:8080/xmlui/handle/123456789/19746
dc.description.abstract With the use of real-time gaming engines, LED wall stages, motion capture, and camera tracking, virtual production (VP) has become a significant shift in the global cinema and animation industries. VP enables real-time visualization and quick creative decision-making, in contrast to typical animation pipelines that follow a linear sequence of pre-production, modeling, rigging, animation, lighting, rendering, and compositing. This study compares the advantages, disadvantages, processes, and industrial uses of both pipelines. Traditional animation pipelines are still necessary for fine artistic control, stylistic storytelling, and frame-by-frame accuracy, even while virtual production greatly increases speed, flexibility, and on- set cooperation. The study concludes that, rather than replacing conventional workflows, future production will evolve into a hybrid model combining both VP and traditional processes for optimal creative and technical advantage. en_US
dc.language.iso en en_US
dc.publisher Kesari Mahratta Trust en_US
dc.relation.ispartofseries Vol-I;Issue-I
dc.subject Virtual Production en_US
dc.subject Traditional Animation Pipeline en_US
dc.subject Real-Time Rendering en_US
dc.subject Offline Rendering en_US
dc.subject Game Engine Technology en_US
dc.subject LED Volume Stages en_US
dc.subject Hybrid Production Workflow en_US
dc.title Virtual Production Pipelines vs. Traditional Animation Pipelines en_US
dc.type Article en_US


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